{"id":77,"date":"2008-07-16T23:15:59","date_gmt":"2008-07-17T03:15:59","guid":{"rendered":"http:\/\/www.marthabayne.com\/wordpress\/?p=77"},"modified":"2008-07-17T00:10:20","modified_gmt":"2008-07-17T04:10:20","slug":"fabulous-muddle","status":"publish","type":"post","link":"https:\/\/www.marthabayne.com\/wordpress\/fabulous-muddle\/","title":{"rendered":"Fabulous muddle"},"content":{"rendered":"<p>I&#8217;m headed back to the island tomorrow, and a concurrent return to regularly scheduled programming. But here&#8217;s a brief recap of what&#8217;s been an exhilarating, exhausting, and pretty much thoroughly awesome detour.<\/p>\n<p>In the last ten days I have visited the world&#8217;s most disorganized McDonald&#8217;s, sung Marine Girls songs through a Poconos traffic jam, and marched caffeine-fueled miles through the hallucinatory heat of Manhattan in July. I have been betrayed by the 2 train and vengefully taken up with the Q (&#8220;the sexy train&#8221;), only to have the Q, too, turn traitor at 1 AM in deeper Brooklyn. I burst into tears when I saw my college roommate&#8217;s baby for the first time. I freaked out over the fantastic\u00a0<a href=\"http:\/\/www.addingmachineamusical.com\/adding%2Dmachine\/\">Adding Machine<\/a>. I ate some staggering pork buns at\u00a0<a href=\"http:\/\/www.momofuku.com\/\">Momofuku<\/a>.\u00a0I saw my best old friends.\u00a0And we, all of us, <a href=\"http:\/\/www.backstage.com\/bso\/news_reviews\/nyc\/article_display.jsp?vnu_content_id=1003827754\">put<\/a> <a href=\"http:\/\/www.variety.com\/review\/VE1117937748.html?categoryid=33&amp;cs=1\">up<\/a> <a href=\"http:\/\/www.nysun.com\/arts\/the-strangerer-an-existential-crisis-in-coral\/81954\/\">a<\/a> <a href=\"http:\/\/theater2.nytimes.com\/2008\/07\/17\/theater\/reviews\/17stra.html\">show<\/a>.<\/p>\n<p>Throughout the whole week served as an interesting tour through the intersection of place and identity. I lived in New York City for five years in the early 90s, and while I&#8217;ve been back a couple of times since moving to Chicago in 1995, this was the first time that it really felt just so<em> right<\/em> to be back. I chalk this up to the fact that I was for the most part really busy, which helps make anyone feel like a New Yorker. But it wasn&#8217;t just that I was busy, it was that I was busy doing exactly what I was busy doing 15 years ago (technical theater) and seeing some of the people I was busy doing it with, or who were around and important at the time.<\/p>\n<p>Now, there are many reasons I don&#8217;t want to be 24 again. One unnerving side effect of this excursion was to remind me of every stupid thing I did in my 20s. But for a week it was fun, if discombobulating, to take a trip back in time.<\/p>\n<p>One of the last nights I was there I got back to my friend Rachel&#8217;s apartment far after midnight (see above re: trains to Brooklyn). After taking a long, cold, necessary shower I lay on her couch with a beer and turned on WNYC, just in time to catch the opening phrases of a piece of music. Hmm, I thought. This sounds kinda familiar.<\/p>\n<p>What it was was <a href=\"http:\/\/www.stevereich.com\/\">Steve Reich<\/a>&#8216;s &#8220;Music For 18 Musicians.&#8221; And as I lay there on the couch and let its buzzing, pulsing, shimmering movements build and crest, memory crashed over me as well. Fifteen (?) years ago, I spent a lot of time with this piece of music (fwiw considered a seminal piece of modern classical minimalism)&#8211;but my memory of it is all about ramps. Giant triangular and trapezoidal ramps of wood and metal and vinyl&#8211;18 of them, if I&#8217;m not mistaken. They were the set piece for a duo of ballets by Eliot Feld, whose Feld Ballets\/NY performed regularly at the <a href=\"http:\/\/www.joyce.org\/\">Joyce Theater<\/a>, where I, equally regularly, worked as an electrician and general stagehand.<\/p>\n<p><a href=\"http:\/\/www.ballettech.org\/rep_aurora1.html\">Aurora I<\/a> and <a href=\"http:\/\/www.ballettech.org\/rep_aurora2.html\">Aurora II<\/a> were lovely, loopy modern ballets where the dancers wore sneakers and slid, rolled, and posed along a concave agglomeration of grey ramps that spanned the stage. Our job was to set the entire unwieldy thing up, a process that involved a dozen people making a chain from the truck parked on the street outside the theater (there being no storage space inside) to the stage. For three weeks, twice a year, these ramps were hauled out of the truck, puzzled together, and locked into place with a hex key. Every seam was taped down and every Marley surface was spritzed with alcohol, to keep them clean. Jokes about Slip &#8216;n&#8217; Slides were in no short supply.\u00a0Then, when the dance was over, we&#8217;d take it all apart again and pack it out into the truck, often\u00a0in full view of the audience. Feld wasn&#8217;t a big believer in the downstage curtain.<\/p>\n<p>I have not thought about Aurora I and II in years. But it&#8217;s all still there, and I swear if you put me in an 18-foot Ryder truck with a schematic and a crew, I could put the whole thing together again, during a 15-minute intermission. Which left me, once the late-night DJ came back on and I slipped out of my memory fugue, wondering just where I&#8217;d been all this long time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m headed back to the island tomorrow, and a concurrent return to regularly scheduled programming. But here&#8217;s a brief recap of what&#8217;s been an exhilarating, exhausting, and pretty much thoroughly awesome detour. In the last ten days I have visited the world&#8217;s most disorganized McDonald&#8217;s, sung Marine Girls songs through a Poconos traffic jam, and &hellip; <a href=\"https:\/\/www.marthabayne.com\/wordpress\/fabulous-muddle\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-77","post","type-post","status-publish","format-standard","hentry","category-personal"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/posts\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":0,"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/posts\/77\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/categories?post=77"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marthabayne.com\/wordpress\/wp-json\/wp\/v2\/tags?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}